It’s the kind of charming 3D adventure rarely seen outside of Nintendo, one dripping with inventive ideas and heartwarming details. And it might just be the ideal game to sell you on a PlayStation 5. This references Concrete Genie, a 2019 PS4 game developed by Pixelopus.

The character is a White Cloak, unlocked by finding all the Symbols in the game, and the struggle against the snow refers to the famous snowstorm finale. About halfway into the level you’ll cross over a DualShock Cable that is then blown by a fan. Use the fan to Beam Glide right to a platform where a Bot with goggles and a small rabbit are standing. They reference 2001’s Jak and Daxter, made by Naughty Dog for the PS2.

Astro’s Playroom may not be the deepest or most ambitious game on PS5, but its humor and playfulness are just delightful. Even though Astro’s Playroom is relatively simple, it kept me entertained for about five hours with its array of challenges and entertaining Easter eggs. During Astro’s jaunt through the guts of the PS5, you run across all sorts of PlayStation references and memorabilia. From seeing bot versions of iconic characters (like Kratos and Solid Snake) to gathering old peripherals and consoles, the journey is full of “I recognize that! ” flashes that punctuate the lighthearted and approachable gameplay.

After the third and final use of the Hang Glider, on the right you’ll find a Bot in a slingshot, which you can Punch to send flying into some boxes. This references the 2007 game PAIN on PlayStation 3, developed by Idol Minds. It’s notable for becoming the most popular downloadable game on the PlayStation Network at the time.

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The Bots chasing the bike refer to the huge swarms of zombies featured in the game. Further along the area where the Horizon and Dreams easter eggs are will be some vines you can move by blowing into your microphone. Inside the cave on the right is a coffin, which if you punch will cause a blonde figure to emerge and pull the lid back on. This references the Castlevania series, specifically 1997’s Symphony of the Night on PS1, by Konami Computer Entertainment Tokyo. On the right side of the giant pool at the end of Hotel Hopalot, you can find some Bots dancing next to two cardboard cutouts. These reference 1996’s PaRappa the Rapper and 1999’s Um Jammer Lammy for the PS1, both developed by NanaOn-Sha.

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This zone’s suit is the Monkey Suit, which you control with the Adaptive Triggers and the SIXAXIS. Cooling Springs is the third zone in Astro’s Playroom, whose Artefacts come from the PlayStation 3 era from 2006 to 2013. It’s coloured blue after the Cross button, more commonly referred to as the X button.

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The game let you explore themed spaces and allow you to purchase items to display in your virtual home. When mb66 get to the first silver Bounce Pillow, use it to get on top of the wall, then drop off the other side. This references 2008’s LittleBigPlanet on PS3, developed by Media Molecule. The globe is LittleBigPlanet itself, covered in badges that represent levels from players around the world. After the second use of the Hang Glider, on the left you’ll find a massive sword stuck in the ground.

This section of our Astro’s Playroom walkthrough details all of the Puzzle Pieces in the game, and will help guide you to them to so that you can find and collect them all! They can be found in every level in the game, except for the Network Speed Run levels. Cross the controller cable bridge to the island with the strong wind, and then a second controller cable bridge. Directly ahead is an Astro Bot in Ape Escape cosplay hiding in a bush.

These icons were displayed on the back of PS1 game boxes to show what features the game supported. The icons on the monitor are, from left to right, Memory Card block requirement, Dual Analog support, Link Cable support, DualShock support, PlayStation Mouse support, Player count, and Multi-Tap support. Next to the PocketStation described above are two cylinders containing the sacred symbols in the form of clouds. This likely references PlayStation’s cloud functionality, which serves as the backbone of the PlayStation Now service that launched in 2014.

Suits like these are creative enough not to make the motion control feel like too much of a gimmick and eventually make you hate it. Having bows as weapons isn’t mind-blowing; it’s a staple in many games. When you pull back on the drawstring, the adaptive trigger gets tighter as it draws power. Then, when the arrow gets eased, all that tension melts away. You wish there were more targets and enemies to use the bow again.